mmninetyfive

While I am waiting for DA to (hopefully) improve their subscription interface, I've decided to take the plunge and set up a Patreon with a subscription based option to access full galleries of my bondage content. Unfortunately as DA is presently set up, adding full photo galleries to subscription tiers is just too cumbersome to be feasible. I have sent feedback to DA and hopefully they eventually take it on board and make some changes. In the meantime, if you're interested in seeing full galleries of my bondage content with a subscription you can now sign up on Patreon for US$10/month. There are two galleries up on my Patreon to start things off and I'll be adding two new galleries every month. My Daily Bondage Photo subscription option will continue here on DA - and that's just US$2 a month with a bondage photo posted every day - now nearly 250 posts (along with some bonus posts) and I haven't missed a day yet. New subscribers get access to posts going back one month. And of

Six years and two months, to be precise. So what happened after my last post here in July 2015? Looking back, it was something of a perfect storm of things happening in my life. I had been shooting so much over the previous three years, and yes it is wonderful to be able to shoot bondage - but as the saying goes, sometimes you can have too much of a good thing. I was becoming burnt out, and the passing of someone who played a big part in my earlier bondage shoots (see previous journal entry) I think hit me a lot harder than I realised. Plus my frantic pace of shooting was probably largely fuelled by the negative attacks I was getting online in some spaces (again, refer to previous journal entries), and that was never sustainable. Outside of bondage shooting, I had been laid off from a job where I was working for nearly a decade, and in 2015 and 2016 I ended up working in jobs that were very draining for me emotionally, resulting in me shooting a lot less, and having no spoons left to

From March 1997 to April 2007, most of my bondage shoots involved a drive to the home of a photographer who, throughout that time, provided me with models to shoot with and somewhere to do the shoots (either at his home or other locations elsewhere). It was how things were done in the days before finding models through internet modelling sites and social media. I wrote about it in quite some detail in my recent journal entries looking back over my twenty years of shooting bondage. Just over a week ago, I went down that way again along a similar route to the one I used to take all those years ago, but in much sadder circumstances. Instead of h

From March 1997 to April 2007, most of my bondage shoots involved a drive to the home of a photographer who, throughout that time, provided me with models to shoot with and somewhere to do the shoots (either at his home or other locations elsewhere). It was how things were done in the days before finding models through internet modelling sites and social media. I wrote about it in quite some detail in my recent journal entries looking back over my twenty years of shooting bondage. Just over a week ago, I went down that way again along a similar route to the one I used to take all those years ago, but in much sadder circumstances. Instead of h

So in my last journal entry I outlined in some detail my first three years of shooting bondage (videos) and my not-so-harmonious relationship with a company called Harmony. As I also touched upon in that last entry, my shooting style was already shifting, as if in anticipation of moving on and being freed from Harmony's ultra-restrictive content guidelines to explore bondage themes on video in a wider fashion (which I couldn't have done with other distributors if I'd retained Harmony as distributor for my videos, due to the exclusivity requirement). Just as looking through old paperwork prompted my in-depth analysis of those first three years

[Just to clarify, "Harmony" in this journal refers to bondage magazine/video publisher/distributor Harmony Concepts (formerly Harmony Communications), not to be confused with the photographer formerly of Adelaide who also goes by the name of Harmony, and as a former DA identity may have been who some readers of this journal may have thought of at first upon seeing that name] So in my last journal I outlined in some detail my first three years of shooting bondage (videos) and my not-so-harmonious relationship with a company called Harmony. As I also touched upon in that last entry, my shooting style was already shifting, as if in anticipation